CREATIVE COLLECTION 9.05. SERIES
CREATIVE COLLECTION 9.05. FREE

Both Clara and The Doctor deliver, Clara going into protective teacher mode (her best mode) when she and Ashildr are endangered and The Doctor first giving the Vikings hard truths, then pulling out a win as only he can when they refuse to run. Stripped of the sonic sunglasses and TARDIS, The Doctor and Clara must rely on their wits for the bulk of the story, and this forces the writers to spotlight their ingenuity and experience, rather than falling back on gadgets. When The Doctor and Clara land, the main adventure begins in earnest, with The Doctor exclaiming, “Oh, not Vikings! I’m not in the mood for Vikings”-sorry, Doctor, they can’t all be ghosts-as they are led away. See also Ray Donovan, Ep 1.02 'A Mouth is a Mouth' is like the pilot episode but with added homophobia That central discussion-how much do they owe the people who request their help and just what does a win look like?-continues throughout the episode, tying this opening thematically with what’s to come and making it part of a larger, more cohesive whole. Clara’s first thought is of the people they were defending (I want to say the Felosians?) while The Doctor is relieved immediate danger has passed and is ready to chalk this up as good enough, even if their tally in the Win column comes with an asterisk. It’s an exciting way to start the episode, throwing the audience into the deep end with Clara and The Doctor and showing their mettle, then their personalities as they recover. We cut back and forth between Clara and The Doctor, but the close-ups of Clara’s face keep the audience very much with her, while the frantic camera cuts back and forth on the TARDIS to convey The Doctor’s concern, even if his voice doesn’t. The opening shot, an upside-down close-up of Clara’s eye, disorients the audience and immediately puts the focus on Clara and her perilous predicament. It’s a terrifying concept well-executed by all involved. We begin at the tail end of an unrelated adventure, a tense opening to what will become a much more relaxed episode: Clara is trapped alone in space with a deadly alien spider creeping up the inside of her spacesuit, intent on sucking her brain out through her mouth. Just about everything in this episode works, and works like gangbusters. With “The Girl Who Died”, that finally changes the Twelfth Doctor at last has an indicative episode, a story that highlights the very best of this Doctor and the current version of the series. However, for this Whovian (and as I discussed recently on Debating Doctor Who), no episode has fully come together, with each element of the show working at its peak to make a whole greater than its parts, as happens in the very best of each Doctor’s stories. Written by Jamie Mathieson and Steven MoffatĪirs Saturdays at 9pm (ET) on BBC Americaĭoctor Who has had a solid run since Peter Capaldi stepped in as the Twelfth Doctor, with some creative ideas from the writers, a bigger emphasis on visual style from the directors, and strong performances from Capaldi and Jenna Coleman in the lead roles.

CREATIVE COLLECTION 9.05. SERIES

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CREATIVE COLLECTION 9.05. FREE

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Creative collection 9.05.